E-mail David Adams
~Painting Tips~
..:: Excerpts from my newsletter ::..
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...:: Have fun painting... don't take it too seriously ::...
Introduction:
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I am assuming that you have some experience with painting and
some knowledge of how to put a picture together. If you are unfamiliar with certain terms used among artists, please visit our Painting Terms and Tips page for information regarding definitions, perspective, composition, etc.
These simple demonstrations are presented here as a helpful aid to your painting endeavors.
Note: Keep in mind that the colors in most of these demos are not true to the originals.
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Prologue:
When painting a picture, I always use a limited palette. I rarely use more than two colors of any particular hue.
Each artist has their own individual style and painting technique. My painting style is representational and detailed, therefore my approach to painting is done in a very controlled manner. I dilute the paint with water and apply it in thin layers of washes, scumbles and glazes. I will often start with a toned ground or an imprematura. |
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The paints I use are acrylics because of its fast drying time. The pigments are thinned down to the consistancy of syrup using water mixed with a medium. There are many brands of mediums on the market. I am happy with *Liquitex - Gloss Medium & Varnish*. I use this as a final varnish for my paintings as well. The mixtures for painting are kept
in small containers with lids. The containers for ketsup and tarter sauce
provided by restaurants works great. Acrylics dry very quickly, so I will often store the mixtures in my refrigerator.
When I'm ready to implement glazes,
a mixture is pooled up onto my palette. I then load my brush with water and
draw out a portion of the mixture to further dilute it. The glazing mixtures are close to the consistency of watercolor.
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The colors chosen for the underpainting differs from piece to piece.
Warm colors complimentary to subsequent hues are good. Generally, the underpainting is created using warm earth colors; browns, oranges, reds. Raw umber and white is an excellent choice for the majority of underpaintings. Limit yourself to one or two colors and mix it with white.
The technique I'm currently using is not etched in stone. I'm continually
experimenting with various ways of creating a picture. My current approach to painting suites me well for now. |
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